A Psychological Profile of Tony Soprano

Narcissistic Personality Disorder Mother In Law - A Psychological Profile of Tony Soprano

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Tony Soprano is one of the most sharp and enigmatic characters in the history of television. Understanding him psychologically is a difficult proposition, although many of the shows other character's have proffered some ideas. In one early episode, Dr. Melfi's husband Richard refers to Tony as Alexithymic, the short definition being "the inability to talk about feelings due to a lack of emotional awareness." This definition is definitely somewhat accurate, as Tony often reacts with rage during periods of blurring and frustration.

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Narcissistic Personality Disorder Mother In Law

One superior example of this comes when Tony enters his office and sees that person has purchased a "Big Mouth Billy Bass" and located it on his desk. Seeing the singing fish reminds Tony of his dream about Big Pussy, and this memory floods Tony with many emotions that he is unable to process or understand. Tony reacts to this emotional flooding by beating Georgie, (A popular pastime) who he learns located the fish in his office, as this selection allows him to temporarily exorcise his uncomfortable feelings through this physically violent reaction.

At one point Dr. Melfi suggests Tony has an Anti-Social Personality Disorder. Citizen with this disorder often show a persistent pattern of conduct disorder in their teen years which involves breaking the law, poor academic performance, disrespect for authority as well as some other more severe criteria including torturing animals and beginning fires. Throughout the series we learn some things about Tony's younger years. In Season 1, we learn from Uncle Junior and Livia that Tony and his friends stole a car, and also that Tony used to sell stolen lobsters in an exertion to earn some extras cash. In someone else part we see him skipping school, breaking into his father's car, and ordinarily being very willing to bend the rules.

Skip to Tony's teen years and we learn that Tony has become good adequate at sports to become a "varsity athlete" despite Junior's claim that he wasn't. He graduates from High School and attends Seton Hall for a semester and a half, before he "got into some trouble" (revealed to Meadow during the part "College") and goes to prison for a short while. While Tony is insisting to Dr. Melfi that he never engaged in Homosexual activities, we learn his time in prison was relatively short, and we can therefore assume his crime was relatively minor. Colse to this same time Tony robbed Feech Lamana's card game, which was a major turning point in his life where he became officially respected as a gangster.

From this brief look at Tony's adolescence we learn he probably did meet many of the characteristics for conduct disorder but possibly not adequate to make a firm diagnoses. Which moves us to the diagnoses of Anti-Social personality disorder, which agreeing to the Dsm-Iv, involves "a pervasive pattern of disregard for and violation of the rights of others occurring since age 15 years, as indicated by three (or more) of the following:

(1) failure to conform to public norms with respect to valid behaviors as indicated by repeatedly performing acts that are grounds for arrest

(2) deceitfulness, as indicated by repeated lying, use of aliases, or conning others for personal behalf or pleasure

(3) impulsivity or failure to plan ahead

(4) irritability and aggressiveness, as indicated by repeated corporeal fights or assaults

(5) reckless disregard for safety of self or others

(6) consistent irresponsibility, as indicated by repeated failure to keep consistent work behavior or honor financial obligations

(7) lack of remorse, as indicated by being indifferent to or rationalizing having hurt, mistreated, or stolen from another

B. The private is at least age 18 years.

C. There is evidence of conduct Disorder with onset before age 15 years.

D. The occurrence of antisocial behavior is not exclusively during the policy of Schizophrenia or a Manic Episode.

So, does Tony meet at least three of these criteria? The retort seems to be that yes of policy he does. Although he does not seem to meet the criteria for number 6, there have been many examples of his actions meeting the criteria for the other 6 components. But does this analysis truly encapsulate Tony Soprano? It doesn't appear to. The fact is that Tony is capable of unselfish and very generous acts, although often these actions have ulterior motives. Therefore to truly get a sense of the patterns of Tony Soprano's life, it is very beneficial to use an Adlerian model to study the patterns of his basic convictions. The Adlerian model looks at key components of a person's life, and also at their early recollections in an exertion to study some key determinants that Adler believed made up a person's unique lifestyle.

Gender Role preparing perceived through Gender Guiding Lines and Role Models

Through observing their parents and the gender patterns they adopt in their relations, a person learns to conceptualize a personal definition of what a man is and what a woman is. From watching his father, "Johnny Boy" Soprano, a respected and feared Mafioso, Tony formed some impression of what it is to be a man. First and leading Tony learned that the man is the breadwinner in the family, and that he needs to do anything it takes, regardless of the law, to supply for his family.

Tony also learned a great deal about conflict resolution from watching his father deal with Citizen from Colse to the neighborhood. One particularly leading observation was watching his father cope a man named Satriale who had been avoiding him because he owed him a debt. When Tony watches his father chop off the man's finger as a follow of this dispute, Tony formed an early impression that a man goes to any lengths, despite the law, when that man owes him a debt. This impression was again confirmed when he watched his father brutally pummel a neighbor named Rocco, who also owed Johnny a debt.

Tony also learned a great deal from watching his father's work habits throughout the years, and this affected his own adult attitude towards work. The beatings Tony witnessed in the previous situations were both over an exertion to procure a debt, and Tony saw that a great deal of Johnny's revenue was simply taken by force or the threat of violence. Therefore he learned that men don't need to work if they can take things from others, and this was a part that appeared to resonate.

In one sublime event that occurred in Tony's teen years, he covers for his father to his mom when she correctly assumes he's been with someone else woman. In this situation, Tony, who has most likely learned through watching his father lie many times before, that it's ok for a man to lie when confronted by an uncomfortable situation.

Through Tony's interactions with his mom he learned that a woman, although she works in the home, holds a great deal of power and operate in interpersonal relationships. One early impression came from watching his father and mom interact after his father brings home a large order of meat, and Tony observes that this was the only time his mom was ever categorically happy. Tony also makes the connection that when his father brought gifts it was "probably the only time he got laid" which also created the impression for Tony that a woman only provides sexual gratification to men when they are given gifts, and this was an idea that also seemed to translate to his adult life.

Interpersonal Style perceived through palpate of house Atmosphere

The house atmosphere in the Soprano house was one of storm and strife. As Tony's sister Janice correctly explains to her husband Bobby, "In my house it was dog eat dog." This was an precise narrative of the Soprano household, and much of this difficulty stemmed from the interactions in the middle of Livia and Johnny which were based on repetitive patterns of incessant nagging on Livia's part and greatest deceit on Johnny's. Livia's tyranny over the house may have even finally contributed to Johnny's corporeal decline, as in Tony's evaluation she wore this very strong man into a "little nub."

Livia Soprano's love was conditional love. Livia was very requisite of her children and she did not demonstrate encouragement and keep of their endeavors which appeared to stimulate a lifelong pattern of self-doubt in both Tony as well as his sister Janice. Discouraged children often grow up to be angry and unfulfilled adults, as they begin to feel that everything they do will not live up to someone's standards. In these situations a kind of "learned helplessness" (Seligman 1965) can take place, where kids simply give up rather than chronic to compete in a seemingly hopeless situation. This appeared to be the case with Janice Soprano, who spends a lifetime avoiding any kind of beneficial performance rather than have to be judged a failure as she has so many times before.

Tony on the other hand compensated for this lack of love like his father did by lashing out at others, Seeing temporary gratification though many sexual conquests, and Seeing solace in acquiring material possessions.

Livia also talked openly of killing her children when Tony was a young man, which he must have seen as a great devaluation of his importance and worth in his mother's life. In one sublime instance Livia tells Tony she could "smother him with a pillow" which terrifies Tony and makes him quiz, how far his mom might categorically go in enforcing punishment in the Soprano household. Johnny Soprano on the other hand freely used corporeal punishment in the house, and in Tony's words, "the belt was his popular child development tool." Johnny clearly demonstrated though many of his actions in the house that violence was an proper response to frustration, and this was also a value that Tony seemed to inherit.

Johnny Soprano was also consistently deceitful in his dealings with his family, and his constant deceit was often the trigger that sent Livia flying into a rage. One early example of Johnny's deceit came following his arrest at a kid's carnival, where he tells his children the cops made a terrible mistake and arrested the wrong guys, which would be difficult for even a child to believe.

Another leading event that confirms Johnny's constant deceit occurred when Tony was a teenager and Livia was in the hospital having suffered a miscarriage where she was in dire corporeal danger. Johnny, who was staying overnight with his mistress, concocts an elaborate lie that hinged on Tony supporting the lie and confirming the story for his hospitalized mother. Tony does go along with the lie, and this event marked as major turning point where he embraces the deceitful lifestyle and begins to head down the path his father has paved for him.

Personal Code of conduct perceived through Acceptance / Rejection of house Values

When Tony embraced his father's lying ways, he was essentially accepting the Soprano house values, all of which were also modeled by Tony's Uncle Junior. Although Tony made a brief exertion at following a distinct path by going to college, his robbery of Feech Lamana's card game demonstrated an early part learned from his father that if person wants something that it is easier to simply take it from others than to categorically work for it. This idea was strongly reinforced when Tony was caught for this act and he was not only not punished, but in follow promoted into the "family" following this brazen and irresponsible action.

For Tony the term "family values" obviously had more than one meaning, but upon close test the values modeled in the Sopranos household were the same that were requisite to survive and even thrive in the mafia "family" Tony was also a part of. For instance Livia used the threat of killing person weaker than her to keep order in the house and get Citizen to comply with her wishes. The exact same thing is used by the mafia family, as the threat of pending violence is one of the key ways the house perpetuates its wealth.

The house value of deceit in the house was also a requisite value to follow in the larger Mafia family. The code of "Omerta" implies silence and avoidance of even discussing the organization, and this is an sharp connection to make inspecting the fact that Livia was so against Tony going to therapy as she felt he was there to "talk about his mother." Livia, who beloved the house secrets stay buried, was so consumed by feelings of anger from reasoning that Tony would describe her secrets to a therapist, that she in essence convinced Junior to have him killed. Returning to the moment of the idea Tony is Alexithymic, one can presuppose that this health might stem from his mother's absolute inability to promote the sharing of feelings in the Soprano household.

Perspective on the World perceived through palpate of Psychological Birth Order

As the second born child of three, Tony's assumed the position of the superior middle child. The second born child often takes their cues from the oldest child, who has been in the world longer and provides a roadmap for the second child to follow. Second born children are often the rebels in the family, as the first borns tend to be responsible and can often even be like a second parent. The second child therefore often finds belonging through acting distinctively distinct than the first, as the first is simply best at things because of their developed age and corporeal development. This was partially true in Tony's case, as Janis appeared to enjoy flaunting her position as the eldest, and at least in her early childhood convinced her father she was a well-behaved and done child. Tony on the other hand showed immediate rebellious behavior, and found belonging through being as Junior described a "little hellion" who learned to fit in and get concentration through misbehavior.

Adler made a strong point of emphasizing that birth order also had a psychological component to it, where the literal birth order may differ from the corporeal birth order. This can happen when the first born son usurps the first born female child and becomes the de facto leader of the children, as he comes from a culture that values males over women. This dynamic appeared to manifest itself in the Soprano household. In Tony's case Janis, who enjoyed the power of being the first born but not the responsibility, in follow passed the torch of responsibility as the first born to Tony, who became responsible for the house as he entered into adulthood.

Range of public Interest perceived through Other Particularities

Adler believed that the extent and degree that a person takes an interest in his or her fellow human beings was an perfect predictor of their reasoning health. Tony never developed this interest in others, and instead came to value others based on their personal usefulness to him. There are many examples of this in Tony's life, one example being his connection with Paulie, who fell out of Tony's favor following a financial downturn in Season 4. Even in his dealings with Artie Bucco Tony often sizes up how Artie can be beneficial to him, and despite their imbalance of power Tony finds exiguous ways to exploit this friendship for his personal gain.

Tony's odd obsession with animals also demonstrates his inability to share emotions with other human beings, and again this behavior might have some its roots in the lack of love and keep he received from his mother. Tony often projects feelings onto animals that he is unable to feel for human beings, and this trait shows how confusing and upset Tony gets when confronted by negative emotions.

Conclusion

In conclusion Tony Sopano's life is one lived with exiguous Understanding or mindfulness. This lack of Understanding has lead to an external locus of operate where he views the bad things that happen to him as bad luck His statements "I can't catch a break" and "I'm like king Midas in reverse" are example of this behavior, and these claims don't jibe with the many, many fortuitous events in Tony's life.

Tony also likes to gift the idea that he is a "sad clown" but again the evidence in his life does not seem to keep this. When Tony is angry or hurt he nearly all the time responds with corporeal violence, and occasionally with em0tional violence such as when he calls Melfi a "cunt" following her rebuke of his advances. The sad clown motif indicates the sense of pity Tony often feels for himself, and his normal pessimistic attitude towards life.

Adler felt that by gaining Understanding into your behavior you could begin to understand the patterns and faulty reasoning and logic that these patterns then created. Melfi, after many years has uncovered some of these patterns, but doesn't seem to offer much assistance as to how to process this information. The follow has been that Tony continues to repeat many of the patterns directly inherited from watching his parents, and despite his often empty promises to change his life, this is categorically not inherent without going back to the beginning.

Adler referred to this idea as "soft" determinism, meaning a person's patterns of behavior were firmly and deeply entrenched, and very, very difficult to change without a great number of insight. Although nearly dying was a kind of apotheosis for Tony, it is likely he will return to much of his previous behavior as he falls back into these well-known patterns.

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